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Last Updated: April 10, 2004
Home > 2004 Legislation

2004 Georgia House Bill 1775 Update

Final update... through our lobbyist's efforts, we tried to attach HB 1775 to HB 709, which was in a Conference Committee. On April 7, 2004, the attachment also failed to reach approval of the Senate, effectively killing the proposed entertainment industry incentive for the 2004 legislative session. A Senate spokesperson stated that Governor Perdue is committed to helping Georgia film, video, music & digital entertainment by appointing a special Advisory Commission to work closely with industry professionals to develop a viable economic program for the state. The officers and members of the Georgia Production Partnership (GPP) and IATSE Local 479, working jointly as Economic Development through Georgia Entertainment (EDGE), would like to express their gratitude for everyone's hard work & participation on behalf of the Bill. We are looking to the future and the 2005 Georgia Legislative Session.

2004 Georgia House Bill 1775 FAQ

This FAQ is in response to some very common questions about HB 1775, and gives a brief summary and accounting of the EDGE Incentive Package:

HB 1775 will allow local, national and international producers of qualified film, video and digital entertainment, commercials, industrial films and more (see the exact language in the Bill), whose "Georgia spend" budgets are in excess of $200,000 per annum, the opportunity to claim an investment tax credit against their Georgia tax liabilities in the following increments:
  • 10% of all Georgia Non-Labor Expenses
  • An Additional 5% of all Georgia Non-Labor Expenses for Productions in Tier 1 & Tier 2 Georgia Counties (The State has Four Economic Tiered Levels, with Tier 4 Holding the Highest Rating)
  • 15% of all Georgia Labor Expenses
One can more easily describe this tiered incentive system as 5-10-15. A production's "Georgia spend" should not be confused with a production's total budget, only that portion spent in Georgia.

Obviously, low-budget productions tend to hire more individuals from a local base than medium or high budget productions, but the incentive has been fairly structured this way to help small independents, and this qualification threshold is the lowest in the nation.

Essentially, this Bill gives producers the opportunity to claim as much as 15% of all Georgia expenditures in the best case scenario, but it is more likely that an average tax credit scenario of 11-12% against the total Georgia budget will be realized, which is confirmed to be revenue neutral by Georgia State University economic models and researchers.

Would we like to have better incentives? Absolutely! Louisiana is currently the benchmark for stateside incentives. Their package gives a 10% investment tax credit for productions with "Louisiana spends" of between $300,000 and $8 million, 15% credits for productions with budgets higher than $8 million, plus an additional 20% tax credit for local labor. But their package is quite severely revenue negative (in the hopes of developing a nonexistent market), and we could not hope to achieve that plateau in Georgia during this troubling economic time.

Can this Bill make us competitive? Yes, because Louisiana must hire most of its skilled and experienced resources and talent from out-of-state, which may not qualify under their plan. But, even if production companies are given credit for out-of-state hire and resources, the cost of transportation, housing, per diem, etc., brings their true savings down by as much as 5 to 10%. Therefore, we can be very competitive because of our infrastructure, experience, and other important intangibles.

Further, if a production company does not have tax liabilities in the state, these tax credits may be transferred or resold to third parties, either directly or through a broker, with some restrictions. As an example, if a company saves $500,000 on a production, but has less than $500,000 in tax liabilities, it may sell the difference to a Coca-Cola or a Home Depot, etc., each of whom have plenty of liability. Of course, it is reasonable to assume that the sale of such tax credits will not be dollar-for-dollar or at par, but rather at a discount, which will be determined by market conditions at that time. This may sound like a problem, but it is the common scenario for every state that either has or is developing a tax credit incentive solution, including Louisiana.

The EDGE tax credit plan will be retroactive to January 1, 2004 (in the event that qualifying productions begin before the Bill is finalized and to help kick start a marketing campaign), and those credits may be used for annual tax filings or within any common withholding cycle. It is also important to know that the tax credits may be spread out over a 10-year period.

Of course, there is other complicated language, but this is the heart of what we are trying to accomplish. It is important to note that by careful design our Bill is intended to create jobs for Georgians and Georgia's production goods and services companies first, while at the same time create economic opportunity for every county in the state. Together, we must stem the current tide of production attrition as, ultimately, an infrastructure cave-in will cost us our most important competitive asset.

For the record, Georgia productions have fallen by over 70% in the two years since the U.S. state-to-state competitive imbalance began, and our labor pool has dropped by nearly 30%. Total film and television production has fallen from an all-time high in the early nineties of over 50 major state-wide projects per annum, to an average of under ten major projects per annum. And, Georgia has hosted only one feature film since the summer of 2003 (Strokes of Genius: The Bobby Jones Story), with no major projects on the horizon. This is devastating information for our once proud community that ranked third nationally in production behind L.A. and N.Y.C., and just as problematic to the state's overall economic stability.

Some, who have other industry privatization agendas, have criticized the Bill as having placed too much power in the hands of the Georgia Film, Video & Music Office. While it is true that the office will carry much of the burden of qualification and administration, the ultimate responsibility will be controlled by the GDITT and other statewide auditing mechanisms. Quite frankly, the checks and balances in this state-controlled tax process, which is responsible to all state taxpayers, is far more practical, and has far more safeguards than any private organization.

And, be certain of this... if we cannot get this Bill passed soon, the downward spiral of our local business will continue until such time that we may all have to leave the market in order to find regular work of any value.

Thanks again for your support.

Ric Reitz
Co-President, GPP
Secretary/Treasurer, EDGE


GPP



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